Chapter 3 - Om Binds Our DNA

 

The Infrared Frequencies of DNA Bases, as Science and Art, Susan Alexjander, M.A.

 

NASA.gov, “NASA Researchers: DNA Building Blocks Can Be Made in Space,” Aug.8th, 2011

 

Susan Alexjander, “Microcosmic Music – A New Level of Intensity,” oursounduniverse.com

 

Adenine DNA Frequencies and Intervals

 

Chapter 4 - The Intervals

 

Maman, Fabien, “The Role of Music in the 21st Century,” 1997, Tama-Do Press

 

Steiner, Rudolf, “The Inner Nature of Music and the Experience of Tone,” 1906 -1924

 

Francis James Fetis’ “Music Explained to the World,” (Boston: B. Perkins, 1842)

 

Susan Alekjander, “Microcosmic Music – A New Level of Intensity,” oursounduniverse.com

 

https://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect

 

http://www.tomatis.com/

 

http://www.simonheather.co.uk/pages/chapters/thehealingpowerofmusicalintervals_sample.pdf

 

The Science of Harmonics, Harmonics as Symbolism,” Hans Keyser 

 

Tuning Forks Throughout History

 

Chapter 5 - The Mystic Chord

and Esoteric Classical Music

 

Prometheus, 2010, Yale University

 

The Dark Crystal, Mystic's Chord

 

f=1/T "the Mystic"

 

Strauss, "Elektra"

 

Stravinsky, "Symphony of Psalms"

 

White, Eric Walter. 1966. Stravinsky: The Composer and His Works. Berkeley, Los Angeles and London: University of California Press

 

Arthur Berger, “Problems of Pitch Organization in Stravinsky,” Perspectives of New Music # 2, no.1, Autumn – Winter 1963, pgs. 11 - 42

 

Vincent Lewis Cole, “Analyses of Symphony of Psalms and Requiem Canticles by Igor Stravinsky,” PhD., Music Theory, University of California at Los Angeles

 

Robin Holloway, “Stravinsky’s Self-Concealment,” Tempo, New Series, 1974

 

Jim Myung Kang, “An Analyses of Stravinsky’s Symphony of Psalms Focusing on Tonality and Harmony,” DMA diss. Columbus, Ohio State University, 2007

 

Pieter Van den Toorn and Dmtri Tymoczko, “Colloquy: Stravinsky and the Octatonic – The Sounds of Stravinsky,” Music Theory Spectrum 25, no 1, pgs. 176-202

 

https://www.rosicrucian.org/history

 

John Michael Greer, “The New Encyclopedia of the Occult,” Llewellyn Publications, 2003

 

http://www.rose-croix.org/histoire/salon_rose-croix_2.html

 

Erik Satie: Early Piano Works,” Vol. I, Reinbert DeLeeuw, piano, 1980

 

Erik Satie: Early Piano Works,” Vol. II, Reinbert DeLeeuw, piano, 1980

 

Prelude No.2 - Feuilles Mortes, Krystian Zimerman

 

http://no14plusminus.ro/2010/10/10/claude-debussy-erik-satie-two-rosicrucian-composers/

 

Windows to the Sacred, Salon de la Rose + Croix

 

http://www.windowstothesacred.com/

 

Rudolf Steiner’s “The Mystery Dramas”

 

The Music of the Comte St. Germaine

 

The Music of G.I. Gurdjieff and Thomas de Hartmann

 

Gurdjieff and de Hartmann, "Piano Music," performed by Michele Fedrigotti, Danilo Lorenzini, and Michele Thomasso

 

Gurdjieff and de Hartmann, “Songs of Sayyids and Dervishes,” performed by Artur Andrés, Regina Amaral, and Mauro Rodrigues

 

Bennett, Judith M. and Hollister, Warren C., “Medieval Europe: A Short History” (New York: McGraw-Hill, 2001), 317

 

New Advent Catholic Encyclopedia

 

http://www.hildegard.org

 

St. Hildegard Von Bingen, "Voice of the Living Light"